Lady Gaga performing at the ITunes festival last year
It is no secret that Lady Gaga's ARTPOP wasn't embraced with open arms by some critics, and I use the term 'critics' very loosely. Reading some of the reviews I saw critics brand Gaga's latest effort as 'bland' and 'mainstream' but in the same review I read that she is 'trying too hard to be different' this is one of the many ridiculous contradictions I came across when reading ARTPOP reviews. An overwhelming amount of articles also spent a lot of time talking about anything but the music, which leads me to ask. Are critics trashing Gaga for nothing other than personal gain?
 
It seems to have become a trend recently, bashing Lady Gaga that is. Some 'critics' have even retitled the album ARTFLOP, I disagree with this for two reasons 1.) her sales where completely in line with the other females who released late last year (Miley, Katy) and 2.) sales figures do not represent the quality of the music. Anyway my point being Gaga's fans (her little monsters) defend her ferociously and the more outrageous an article about her the more monsters come to defend her bringing more hits to a website or blog.
 
To me it feels like many journalists (again using the term loosely) are sacrificing any form of integrity to try and raise their site or blogs popularity, and instead of reporting on her music they are reporting on her as a person. Sifting through heaps of bloggers articles I've found a lot of people saying that Gaga peaked with the fame monster, my problem with this is that the fame monster was an 8 song EP, if you take the 8 best ARTPOP songs you have something that in my opinion is equally as good. I'm not saying ARTPOP and the album campaign is without any flaws (jewels and drugs, oh and lets not get started on the whole mess that surrounds the Do What U Want music video) but this mindless biased journalism against her is completely unjust and unfair.


 
For those of you that follow Aiden Grimshaw's work you will remember the frantic searching for his twitter page late last year which had been removed entirely. I was crushed by the thought that we might not be graced by any new material from Aiden, and if you have listened to his first album 'Misty Eye' you'd know how much of an incredible shame that would be. However I can now proudly present to you Aiden, he has returned to twitter without the last name but (praise the lord) new material. His latest EP simply titled 'Aiden' consists of four tracks 'Satisfy Me ft. Thaddaeus Tribbet', 'The Cleaner', 'Fire and Ice' and 'Better Man' all written with the help of Dimitri Tikovoi - who has worked with the likes of Charli XCX and Nicola Roberts. I cannot stress enough how stupidly brilliant each song is, each one a brilliant progression from Misty Eye (which was brilliant itself) showcasing a more mature sound. Each song glued together with a throbbing electro-pop beat, almost demanding your ears' attention. For me it feels like Aiden is truly making the music he wants to make, like he has finally properly discovered his musical identity which he can now grow into fully.
For me the highlight of the EP is 'The Cleaner' the chorus is literally the catchiest thing I have heard in such a long time, its light up beat sound makes for a very easy listen. Definitely something that will leave you hitting the replay button.  The other stand out is 'Better Man' I have to say I was completely surprised by this song, simply by the fact that it's a rough and ready stomping club banger. If this was to receive the airplay it deserves it would be a sure hit, yet it still has Aiden's name all over it. Its an Aiden Grimshaw track, and a brilliant one at that.
Listen to the EP here - 
 
In keeping with my piece about my experiences as being a gay teenager I give you 'Sticks and Stones' by the frustratingly underrated but immensely talented Nicola Roberts. This is the most emotional song I've ever listened to, it really stuck a chord with me in relation to personal experiences. A true masterpiece.